Bass Coalition
Thursday, March 11th, 2010The Bass Coalition is a summer workshop for Bass players and enthusiasts. One of their sponsors, NoTreble contacted me and asked if I could design a logo for the coalition. One of the biggest challenges that they mentioned was that it needed to appeal to both kinds of bass players, classical and electric. I was told that it could be edgy, but not too edgy. I wasn’t sure where to start, so I went to Google images and searched for “bass player” which brought up an array of images including someone playing a fish (humorous but not helpful). Rather than trying to jump the “two types of players” hurdle right away, I thought about music and how best to illustrate it. I saw a smooth flowing continuous line. I decided to create a logo of a classic bass player using that continuous line. Felix Sockwell is THE master of this art form and after my experience I bow to his awesomeness. If you’re not familiar with his work, check it out. I scribbled out at least 6 different sketches attempting to pull it off. I ended up mashing all six together and was surprisingly happy with the result.
For my second concept I decided to once again play with the negative space, by using the player to form the “empty” bass. He looked like some dude you’d see in a smokey club pluckin’ some jazz. Finally for my third concept I threw out the player and decided to feature the bass more prominently. by using the word to form the image.
Feeling confident that I had covered at least one of my bass’ (the classical one . . . dah-dum-CHING) I decided to try a more edgy concept that would appeal to both types of players. Using the universal hand sign for “Rock and roll” I placed the necks of each bass on the hand. Classical on Mr. Pointer and electric on Pinky. I thought it was edgy, humorous and most importantly functional.

While the client agreed and liked it very much, it, along with the others, was ultimately rejected. However one of them did appeal with some tweaking. We took the third concept and replaced the word “bass” by filling it in with a solid image. By filling this in it not only formed half of the bass it also created the first initial “B” in the title. I added the initial “C” where the f-holes would originally be. This concept was ultimately approved.

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These concepts were very well received. There was much discussion on whether it needed to read “TEA” or not. I felt it was important to add it since it represented a new and emerging movement. I argued it could be dropped once it had been out for a while, but ultimately the client decided to drop it. As we were finalizing everything I mentioned that I had created an additional concept but decided not to share it. Naturally, this piqued their curiosity and they asked if I would show it to them.
Had I completely hated this concept, that would have been a very dangerous thing to say, but I actually really liked the mark. The only reason I left it out was because initial reaction from others had been confusion. They asked if it was a bull preparing to charge. The client however, absolutely loved it and did not see any confusion. In fact they preferred it’s aggressive look to the more passive one. This got the final approval. The colors were specifically chosen to represent both political parties. As I stated above I did not want this to be a republican or democrat logo, but rather a logo for the people. I placed the star in the middle to unify the colors and to represent the common bond we all share, whether democrats or republicans, and that is the spirit of America (are you tearing up yet?). You never thought a logo could say all of that did you? Will my bison ever stand along side of the elephant and donkey? I don’t know, it’s not likely, given our two-party system. But I was thrilled, and honored to work on the project and I’m proud of the results. But more importantly than all of that, I got paid.
