Thoburn Design & Illustration

Here’s a post sure to touch a nerve. For starters, I’m an artist and this is a blog about art, not politics (there’s plenty of those out there). Personally, I think art is much more interesting and is less likely to cost friendships. Within the past two years a movement started sweeping across America known as the “Tea Party.” A reference to the Boston Tea Party. People who are fed up with one aspect or another of government took to the streets and peacefully protested. When I was approached and asked to develop a logo for the Tea Party movement, I had a few reservations. As the movement grew (and continues to grow) certain “groups” and public figures began to latch-on and highjack the movement, calling it theirs or a result of their work. I disagree. I see it as a group of good, honest, regular Americans on both sides of the political isle exercising their first amendment rights. They’re my neighbors, co-workers and friends regardless of political affiliation. The last thing I wanted was to brand any particular political group. After discussing it further I felt confident that we were in fact branding the movement. However they made it clear that they wanted the logo to be able to stand alongside the elephant and donkey. I was given two additional requirements; create an animal that’s native to America and don’t make it wimpy, like the turkey (sorry Ben). We ultimately settled on the bison (or buffalo, you say “toe-may-toe”, I say “Ta-ma-ta”).

The bison fulfilled both of these requirements and offered some real graphic possibilities. I wanted to do something completely different than the elephant and the donkey. Rather than an icon of a bison I decided to only illustrate the head (above). While the overall  feedback was positive, the client rejected them. They felt that it better suited a sports team mascot. So if you’re a the owner of a team owner and you’re looking for a mascot and logo, hit me up, these are for sale. I went back and looked at the republican and democrat logos again and decided to match them a little more closely.

These concepts were very well received. There was much discussion on whether it needed to read “TEA” or not. I felt it was important to add it since it represented a new and emerging movement. I argued it could be dropped once it had been out for a while, but ultimately the client decided to drop it. As we were finalizing everything I mentioned that I had created an additional concept but decided not to share it. Naturally, this piqued their curiosity and they asked if I would show it to them.

Had I completely hated this concept, that would have been a very dangerous thing to say, but I actually really liked the mark. The only reason I left it out was because initial reaction from others had been confusion. They asked if it was a bull preparing to charge. The client however, absolutely loved it and did not see any confusion. In fact they preferred it’s aggressive look to the more passive one. This got the final approval. The colors were specifically chosen to represent both political parties. As I stated above I did not want this to be a republican or democrat logo, but rather a logo for the people. I placed the star in the middle to unify the colors and to represent the common bond we all share, whether democrats or republicans, and that is the spirit of America (are you tearing up yet?). You never thought a logo could say all of that did you? Will my bison ever stand along side of the elephant and donkey? I don’t know, it’s not likely, given our two-party system. But I was thrilled, and honored to work on the project and I’m proud of the results. But more importantly than all of that, I got paid.

When I was asked to design a logo for the “Mechanics” something very different immediately came to mind then the final result (All I need is a miracle began bouncing around in my head). Designing this logo required some digging into American History. In the days before the Revolutionary War, Paul Revere organized the Mechanics, a group of determined patriots that grew out of the Sons of Liberty. The group established an intelligence network that monitored the actions of the British army in Boston, and then sent news of the movements to patriot leaders. It was the Mechanics who discovered that British troops were planning to march on Lexington and Concord on the evening of April 18, 1775, which led to Revere’s famous midnight ride to warn Samuel Adams, John Hancock and other colonists that the British were coming. You can read more about that here. I decided a simple silhouette of Paul Revere on his famous midnight ride would best represent the organization and it’s mission which is to train, organize, and increase networking of the grassroots movement. While looking through several artists interpretations, I noticed most of them rendered Paul facing the viewer. I decided to do just the opposite, having Paul leading us away from the danger. While he’s pointing back towards the oncoming threat, he motions us forward in a call to action.

Scot, a professional drummer well seasoned in multiple styles (roots rock, rock-a-billy, blues, classic soul, old school funk, redneck jazz, contemporary Christian music, all flavors of country – honky-tonk, alt and contemporary) asked me to create a logo for him. We had worked together in the past on some promo posters for his band “Oz Revue”. When he approached me about his logo he mentioned was that he wanted the drum imagery to be subtle. I love logos that creatively use negative space, so I decided to use his first initial as the main mark. The “S” would provide me with two negative spaces to play with. I used a circle to form the drum head and created the letter “S” by placing drum sticks in those negative spaces. Scot was thrilled with this first draft and we moved forward implementing the new mark on his marketing materials. You can find out more about Scot here. A new site to match the logo is coming soon.

I was absolutely thrilled when I found out that Refresh was coming to Winchester. I had previously been driving in to D.C. So you can only imagine how excited I was when asked to design the logo for it. For those not familiar with the area, Winchester is located at the northern most tip of Virginia. At only 15 miles from the West Virginia line, it’s the gateway to the Shenandoah valley in Virginia. It’s also well known for apples They grow in abundance here. Whitehouse Foods (the apple sauce company) is headquartered here and every spring Winchester hosts the Apple Blossom Festival. So it was no surprise that an apple had to be a part of the concept. The instructions I received stated that the refresh logo must contain the word “Refresh” along with the city name, and the refresh icon.

The hardest part of designing the logo using the apple theme, was trying to set it a part from Apple. While working on the logo I kept wondering if audiences, not familiar with refresh would think this was only geared towards apple users. I have no idea if this played into the decision to scrap these initial concepts by the client. While they were well received, the client was a bit leery of using the apple, and even seemed to think twice about centering the logo around it.

Round two saw the apple pared down to only a slice. These concepts were overwhelmingly well received as it negated the apple concerns and looked like it belonged among the other Refresh chapters. However there was the issue of the refresh “icon”. Since they were happy with the apple slices as they were, adding the icon to them was not an option. So, I decided to play with the text. I choose “Rezland” for the main font because of it’s clean, round, modern feel. The “E’s” made perfect circles, so I chopped the diagonal line and added arrows to form the refresh icon. Another clean san-serif font, “Engravers Gothic” was chosen for the secondary font on the city name. I pulled in the red from the apple and left the “e-icons” black.

The final apple slice was decided upon with one minor tweak; loose the shadow. With that change made, the new text was added and the logo was complete. You can see the final logo in action here: www.refreshwinchester.org

Every year I create an invitation for a non-profit organization’s national conference (not spec work). The invitation is typically 16-20 pages, 8.5×14 saddle stitched. It includes the typical conference stuff, like a brief write up on the host city or state, event schedule(s), guest speakers, registration forms and special sessions. Each of these special sessions require a logo of sorts. Below are three of logos I created as well one for the host state, Colorado.