Save the United States

Resilience, dedication, courage, diversity, opportunity, freedom and innovation. These are words that describe the United States. You don’t have to be steep into politics to know that we are a divided nation. Perhaps we have been for many years, but the words listed above are words we can all agree on to describe the United States, and it’s these words that I was provided to create the look of the campaign to save the USS United States. Personally, I had never heard of the United States. When my client provided me with a link to the media I would require to complete the campaign, I spent hours looking through the old photos, watching the faded news reels. I saw black and whites of celebrities from times gone by, and faded color photos of families waving from the decks of the ship to the docks below. Then I came to a folder titled “recent photos”. Here were scores of images of what looked like something from an urban explorers trip into an abandoned shipwreck. Paint was peeling, rust and decay were slowly taking over the ship, creeping along metal railings. It looked like a ghost ship. Like the photos of the Titanic sitting on the ocean floor, but this ship was docked in New York. I realized, I was part of something important and extraordinary. I was asked to help do a very small part to save a piece of history. Unfortunately, many of the photos were of very poor quality, and like the ship in need of repair. Most of the images only needed small repairs, of quick photoshopping to remove creases, or flaking edges. One image though, became the face of the campaign. It was of the ship coming into dock, crowds cheering, and flags waving. The original image was in black and white, however I colorized it, like an old Ted Turner classic. I’m super proud of this campaign, and I’m grateful that I got to be a part of it. If you’d like to see all of the images I created, read facts about the ship and check out a short video, you can view the campaign here: https://www.wearetheunitedstates.org/campaign

The evolution of business travel

Zuca makes really cool luggage. A favorite of makeup artists for years, they have drawers and a sturdy exoskeleton you can sit on. They wanted to expand their market and reach high end business travelers. I was contacted by the Los Angeles based ad agency they had hired, to create an illustration to be used in an ad. The logo I had created for the mechanics (Paul Revere on horseback) had caught the agency’s attention, and it was the style they wanted to follow. My instructions were to mimick the evolution chart, and in each stage have the traveler experiencing some form of pain and suffering due to their luggage. They envisioned two different concepts, one that followed the traditional horizontal chart, and another that was more dimensional.

evolution sketch Evolution2

 

Once the sketches had been approved, I finalized the silhouettes in Illustrator.

horizontal evolution

Evolution Concept2

Here’s a couple  close ups of some of the stages.

Stages 1-3Stage 1 REVISED

stage2

Stage 4 Horizontal

And here’s a look at the final ad.

ZUC101-Strn Surv-v5-FINAL-HR

ZUC101-Strn Surv-v5-FINAL-HR

© 2013 Zuca and Thoburn Design & Illustration

 

Young American Revolution cover

The Young Americans for Liberty publish a magazine titled “Young American Revolution”. For their March issue, they asked me to create a cover illustration for an article titled “More than Just Nope” about the hard road ahead for limited government, and the dilemma facing the Republican party. They wanted a fork in a road with one direction heading towards debt and destruction, while the other road headed towards peace and prosperity. Armed with this information, I sketched out a couple different thumbnail options.

The client liked the second option best, feeling that it put the subject more front-and-center. Since the sketch was fairly small, it needed to be redrawn.

I made some minor adjustments from the original thumbnail, like widening the fork in the road, and moving the signs from behind the guy to his left and right. I was really unhappy with the guy I had drawn for a number of reasons (help, I’m falling over), so I decided to completely redraw him by modeling him after the organizations Executive Director. Several of the elements, like the buzzard and tank, were drawn separately and added in later.

I brought each of these sketches into Illustrator and began to create the final cover (below).

Here’s a look with mast head and article titles in place:

And here’s a look at the final printed magazine: